91传媒

Art and activism

For 50 years, Dr. Elder G. Jean Crane has been one of the most prolific and important artists in Labrador.

It may come as a surprise then to know that her career in art began accidentally.

In 1975, Elder Crane encouraged her husband, John, to take an introductory art course. When the class started, however, John was travelling. So Elder Crane went in his place.

That first introduction sparked a love for painting, and she decided to attend every class. In later years, she would go on to teach the course. Now she鈥檚 renowned for her landscapes inspired by the Big Land.

Though her contribution to the province鈥檚 art is significant, she鈥檚 also known for her unwavering commitment to the environment and people of Labrador.

Elder Crane grew up in North West River and Sheshatshiu. She鈥檚 the daughter of the famous trapper and guide Gilbert Blake and the great-granddaughter of Lydia Campbell, author of the first work ever published by a Labradorian.

Before there was a women鈥檚 shelter in her community, Elder Crane opened her own home to women in need of care and protection. Her efforts, fundraising and tireless advocacy eventually led to Libra House, an emergency women鈥檚 shelter in Happy Valley-Goose Bay that she administered until her retirement.

 

Elder G. Jean Crane sits on stage wearing a bright red academic gown and a black ceremonial hat, holding a convocation program in her lap. She gazes upward thoughtfully. Other individuals in similar academic regalia are seated nearby, slightly out of focus, against a dark background.

At a special session of convocation in 2021, the first ever held in Labrador, Elder G. Jean Crane was awarded the degree of doctor of laws, honoris causa, for her contribution to 91传媒 and the culture and society of Labrador. Photo from 91传媒 Archives.

 

She has for many years been a strong voice advocating for Indigenous-led educational opportunities in Labrador and across the North.

While first working to launch Libra House, she joined 91传媒鈥檚 Board of Regents in 1979 and served for six years. She became a member of the advisory council for the Labrador Institute for Northern Studies and was instrumental in creating the institute鈥檚 art gallery.

As a healer, she blends her training as a nursing assistant with her traditional knowledge of the healing capacities of the land.

As an educator, she鈥檚 made an invaluable contribution to 91传媒 as an Elder, mentor and teacher for the Inuit Bachelor of Social Work and the Inuit Bachelor of Education programs.

When the Labrador Institute prepared to transition into a full academic campus of 91传媒, Elder Crane became a member of the Labrador Campus Strategic Task Force.

During the task force鈥檚 first meeting in 2018, she offered a prayer, which she composed, to ground the institution in a commitment to both the past and the future.

Poem entitled A Prayer for the Ancestors and the Land by Elder G. Jean Crane. Theirs were the voices of the land They spoke in ancient tongue They often spoke and were not heard As if no meaning to their word Where was Justice way back then? The heart beat faint The spirit wept. We come full circle in this place The stranger and the ancient races Healing now The heart beats strong The Spirit sings

Elder Crane died in September 2025.

But her art lives on and remains a form of activism.

It continues to ask that we see the landscape and scenery of Labrador not simply for the economic riches of its natural resources but from the perspective of someone who understands the life of the land and its heritage, power and fragility.

And her activism was always an art form. She knew our place in the story and consistently acted to bridge cultures, build communities and guide us on the right way forward.

"We came from the old ways and are into the new ways. We haven鈥檛 always had a voice. We haven鈥檛 been consulted, and I think I have an obligation to our people."

鈥� Dr. Elder G. Jean Crane

 

Black and white photograph of Elder G. Jean Crane standing in a room and holding up one of her paintings, which depicts a winter landscape with a snow-covered cabin and trees. She is dressed in dark professional attire and smiling slightly. On the table in front of her are six framed artworks, including images of wildlife, natural scenery, and a portrait of Chief Dan George.

Elder G. Jean Crane displays her oil paintings in 1983 in St. John鈥檚. Photo from the Gazette.

 

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